The patently political Vishwaroopam ruckus has pitch-forked
Kamal Haasan again into the national limelight. For a country used to
seeing Tamil Nadu as Rajinikanth country, this was a rude reminder that
there are other superstars in the Southern sky with the mystic power to
dodge bullets, defy bans and part the sea of tranquility in our humdrum
lives.
The controversy took Kamal Haasan totally by surprise as he’s always
presented himself as a dyed-in-the-wool rationalist with a high level of
tolerance for religious plurality. The last thing he was expecting was
the ungainly taint of ‘anti-islam’ on his radiant secular persona.
Forget ‘anti-islam’, but is the ‘Ulaga Nayagan’ really a non-believer as he’d like us to believe? Evidence from his enviable body of work is to the contrary.
Ever since he’s donned the hats of producer, writer and director, Kamal has dropped cryptic clues on where his faith lies. The Hindu trinity of Brahma, Vishnu and Shiva keep recurring in the character names — he so carefully crafts — in all his recent productions.
Take Virumandi. Kamal could have easily given it a rustic irreligious name like ‘Veeramani’ and it would have still worked. But he chose Virumandi. Is it because of his penchant to opt for god names? For the uninitiated, Virumandi is worshipped in Theni district as ‘Viruman’ or ‘Brahman’.
If one peels the many subtle layers in his films, one can spot a Saivite streak. Sample the names ‘Viswanath’ in Vishwaroopam,‘Nallasivam’ in Anbe Sivam, ‘Avinash’ in Mumbai Express and ‘Ramalingam’ in Kaadhala Kaadhala. Innocuous as they may seem, all are synonyms for Lord Shiva. You’ll be surprised to know that Kamal has used the ‘Shaktivel’ name in 3 movies: Nayakan, Sathi Leelavathi and Thevar Magan!
Add Adinarayan (Kurudhipunaal), Saket Ram (Hey Ram) , Krishnaswamy (Mahanadhi), Raghavan (Vettaiyaadu Vilaiyaadu) and the Dasavatharam imagery, to discover his Vaishnavite streak. So, is the atheist role, another stellar performance from the actor we all love?
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